actors in his papers in "The Tatler." Cibber resolved to play off Steele against Collier, and succeeded. Steele applied to the Duke, and through his influence, obtained a licence in the names of himself, Cibber, Wilks, and Booth; and, as with the change of ministers Collier's influence vanished, he was quietly thrown overboard.
Young Rich opened the new house in Lincoln's Inn Fields under his father's patent. Cibber preferring the permanency of a patent to the more temporary security of a licence, thought the present a favourable opportunity to apply for a similar privilege. He represented the case to Steele, and Steele obtained a patent for his own life and three years afterwards, which he assigned to Cibber, Wilks, and Booth, confirming their right in the entire property, reserving to himself a quarter of the profits. The patent was dated 19th Jan. 1715. The race was now between Cibber and the younger Rich. Cibber started with his usual skill and confidence, but suffered a temporary check by a clever though malicious ruse of his antagonist. A report was actively circulated that the edifice in Drury Lane was insecure, as the foundations were sinking. The rumour obtained such credit that the actors had to play to empty benches; and until an architect had formally surveyed the building, and published a written attestation of its security, Rich's company reaped the fruits of their audacious calumny.
As soon as Cibber gained upon his antagonist, Rich fell back upon artificial aid, and introduced those pantomimic performances which still retain possession of the stage. Cibber likewise, though much against his conscience, made auxiliaries of Pantaloon and Columbine, and the old game of Davenant and Killegrew was played over again. Rich, however, whose performances as Harlequin are still fmaous in theatrical annals, completely captivated the galleries,
