Persian. They further proved that most so-called bulls are no bulls at all, but often a poetic license, a heart-spoken effusion, and that thus the offence became a grace beyond the reach of art.
Moral Tales also saw the light in 1801. They too were written to illustrate Practical Education, but aimed at readers of a more advanced age than the children's tales ; in fact both here and elsewhere Miss Edgeworth strove to do on a larger scale what was achieved by the ancient form of parable, to make an attractive medium for the instruction and conviction of minds. It was a fancy of hers, and perhaps a characteristic of her age, when female authorship was held in somewhat doubtful repute, that she invariably insisted on appearing before the public under cover of her father's name. He therefore wrote for Moral Tales, as afterwards for all her works, one of his ludicrously bombastic prefaces, which, whatever they may have done in his own time, would certainly to-day be the most effective means of repelling readers. The stories are six in number. Forester, The Prussian Vase, The Good Aunt, Angelina, The Good French Governess, and Mademoiselle Panache. Of these the plots are for the most part poorly contrived, the narrative hammered out invita Minerva, and, owing to their aim, nothing capricious or accidental is permitted. Too obviously they are the mature fruits of purpose and reflection, not happy effusions of the fancy, and hence also not always successful. Sometimes the fault lay with the subject that afforded too little scope, sometimes the moral striven after did not admit of the embellishments requisite for a work of amusement. One thing, however, is certain; that Miss Edgeworth honestly endeavoured to combine
