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THE GERMAN CLASSICS
Goethe's Faust and consistent in Goethe's poem, is foreign to the conflict of this play, which, not being human, as is that of Faust, but an abstract antagonism of general historic principles, should have been solved without the interference of the mere creature weaknesses of the hero and the mere creature sympathies of the reader. Immermann planned to untie the knot in a second part, which was to treat of the salvation of Merlin; but he never carried his purpose beyond a few slight introductory passages.
