with Kerner and Platen and their long line of queer contemporaries to see the point, so he skips over this part of the work and turns at once to Der Oberhof.
It is needless to state that Immermann never wrote a work with such a title. Editors and publishers have simply followed the lead of readers and brought out separately the best parts of the complete novel under the heading of the third chapter of the second book. There is not even final agreement as to how much of the original work should be included in order to make a well-rounded story. The editions, of which there are many, vary in size from seventy-five to three hundred and seventy-five octavo pages. The best arrangement is that which includes the second, fifth, seventh and eighth books.
Here again we meet with three leading characters—the very honest and reliable Hofschulze, the owner of the "Upper Farm," in whom are personified and glorified the best traditions of Westphalia; Lisbeth, the daughter of Münchhausen and Emerentia, the connecting link between romantic and realistic Germany; and Oswald, the Suabian Count disguised as a hunter, a thoroughly good fellow. But this by no means exhausts the list of pleasing personalities. The good Deacon, who had lost interest in life and faith in men while tutoring a young Swedish Count, and who was made over by his new work among the solid middle class of Westphalia, is a character of real charm; his ideals are humanitarian in the best sense, his wisdom is sound, his help generous. Jochem, Oswald's servant, is the incarnation of fidelity; the old Captain, who finds himself today in a French and tomorrow in a Prussian mood, is instructive at least, for such dualistic patriotism was not unknown at the time; the Collector follows his vocation with inspiring avidity, the Sexton is droll without knowing it, and each of the Hofschulze's servants has something about him that separates him from his confederates even though he be nameless. There are no supernumeraries among the characters.
