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ENUNCIATION;
OR,
THE MANAGEMENT OF THE VOICE.
As it must be the chief object of the actress to be heard distinctly in all parts of the theatre, it is therefore an indispensable requisite that she should be possessed of a strong and sonorous voice.
In order that she may be enabled to give the necessary shade to the picture she means to represent, her voice must be clear, harmonious, flexible, and susceptible of every possible intonation.
A voice which is deficient in point of compass or expression can never be adequate to characters where the
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