This page has been validated.
PREFACE.
xv

and that, instead of a narrative developing perpetually the sallies, vivacity, and energy of my character, another had been foisted in, totally deprived of all life, colouring, or promptitude. With few alterations, the facts were nearly the same; but all that was casual, involuntary, and spontaneous, in a turbulent career, was given as the long premeditation of evil intent. The necessity that impelled me was altogether passed over; I was made the scoundrel of the age, or rather a Compere Mathieu, without one redeeming point of sensibility, conscience, remorse, or repentance. To crown my disgrace, the only motives that can justify some avowals of a candour somewhat uncommon, were not allowed to appear; I was only a shameless villain, who unblushingly united with the immorality of some of his actions the desire of narrating them. To lessen me still more, a language was attributed to me of the most puerile sort. I really felt myself humiliated with the details which the press had produced, and which I should certainly have obliterated, had I not relied on the revision of a man of judgment. I was shocked at the multitude of vicious conversations, long circumlocution, and prolix phrases, in which the ear, good sense, and syntax, were equally offended. I could not conceive how, with the total deficiency of talent, any person could assume the title of a literary man. But suspicions quickly arose, and in the suppression of certain names, which I was surprised not to find (that of my successor, Coco-Lacour, for instance), I thought I could trace the finger of the retired police, and