to buy the ropes, altar cloths, and other pillaged church ornaments (1793) which he burnt to get the metal from the gold. lace. From the custom of meeting together so frequently in business, a sort of acquaintance sprung up between the two men, which soon became a close intimacy. Deslong had no concealment with Fraumont, and consulted him in all his undertakings, informed him of the worth of all the deposits entrusted to him, and even confided to him the secret of a hiding-place in which he kept his most valuable articles.
Informed of all these particulars, and having free access at all times to Deslong's house, Fraumont conceived the project of robbing him whilst he and his wife were at the theatre, which they frequented. He wanted an accomplice to keep watch; and besides it would have been dangerous for Fraumont, whom everybody knew, to be seen on the premises on the day of the robbery. He first selected a locksmith, a fugitive convict, who made the false keys necessary for entering Deslong's house; but this man being pursued by the police, was forced to leave Paris, and he then substituted Deschamps.
On the day fixed for the perpetration of the robbery, Deslong and his wife having gone to the Theatre de la Republique, Fraumont concealed himself at a vintner's to watch for the return of the servant maid, who usually took advantage of the absence of her master and mistress to go and see her lover. Deschamps went up to the apartment, and opened the door gently with one of his false keys. What was his astonishment to see in the hall the maid servant whom he thought absent, (her sister, who was much like her, having in fact left the house a few minutes before!) At the sight of Deschamps, whose surprise made his countenance even more frightful, the girl let fall her work and shrieked. Deschamps sprang upon her, threw her down, seized her throat, and gave her five blows with a clasp knife, which he had about him, in
