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MR. BENNETT AND MRS. BROWN
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of it are recorded in the books of Samuel Butler, in The Way of All Flesh in particular; the plays of Bernard Shaw continue to record it. In life one can see the change, if I may use a homely illustration, in the character of one's cook. The Victorian cook lived like a leviathan in the lower depths, formidable, silent, obscure, inscrutable; the Georgian cook is a creature of sunshine and fresh air; in and out of the drawing-room, now to borrow The Daily Herald, now to ask advice about a hat. Do you ask for more solemn instances of the power of the human race to change? Read the Agamemnon, and see whether, in process of time, your sympathies are not almost entirely with Clytemnestra. Or consider the married life of the Carlyles, and bewail the waste, the futility, for him and for her, of the horrible domestic tradition which made it seemly for a woman of genius to spend her time chasing beetles, scouring saucepans, instead of writing books. All human relations have shifted—those between masters and servants, husbands and wives, parents and children. And when human relations change there is at the same time a change in religion, conduct, politics, and literature. Let us agree to place one of these changes about the year 1910.

I have said that people have to acquire a good deal of skill in character-reading if they are to live a single year of life without disaster. But it is the art of the young. In middle age and in old age the art is practised mostly for its uses, and friendships and other adventures and experiments in the art of reading character are seldom made. But novelists differ from the rest of the world because they do not cease to be interested in character when they have learnt enough about it for practical purposes. They go a step further; they feel that there is something permanently interesting in character in itself. When all the practical business of life has been discharged, there is something about people which continues to seem to them of overwhelming importance, in spite of the fact that it has no bearing whatever upon their