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NO MORE PARADES

other man talk of any subject—any, any subject—from stable form to the balance of power, or from the voice of a given opera singer to the recurrence of a comet—to have to pass a week-end with any other man and hear his talk after having spent the inside of the week with Christopher, hate his ideas how you might, was the difference between listening to a grown man and, with an intense boredom, trying to entertain an inarticulate schoolboy. As beside him, other men simply did not seem ever to have grown up. . . .

Just before, with an extreme suddenness, consenting to go away with Perowne, the illuminating idea had struck her: If I did go away with him it would be the most humiliating thing I could do to Christopher. . . . And just when the idea had struck her, beside her chair in the conservatory at a dance given by the general's sister, Lady Claudine Sandbach, Perowne, his voice rendered more throaty and less disagreeable than usual by emotion, had been going on and on begging her to elope with him. . . . She had suddenly said:

"Very well . . . let's. . . . "

His emotion had been so unbridled in its astonishment that she had, even at that, almost been inclined to treat her own speech as a joke and to give up the revenge. . . . But the idea of the humiliation that Christopher must feel proved too much for her. For, for your wife to throw you over for an attractive man is naturally humiliating, but that she should leave you publicly for a man of hardly any intelligence at all, you priding yourself on your brains, must be nearly as mortifying a thing as can happen to you.

But she had hardly set out upon her escapade before two very serious defects in her plan occurred to her with extreme force: the one that, however humili-