200
NOTES AND QUERIES. [is. vi. MAY s, im.
It may, perhaps, be that an addiction to
'resolutions grows upon most poets. A verse-
writer becomes increasingly prompt to hold the
true rhythm, the fundamental beats of his line
-against the invasion of multiplied syllables, and
delights in doing so. But there is a point at
which this power betrays him : and we think that
Mr. Bayfleld, whose sympathetic listening to
' Shakespeare's music seems almost to have
identified his hearing with the poet's, has certainly
more than once suffered his ear to be thus betrayed.
It must have been either a process of subtle
sophistication, or a loss of straightforward judg-
ment from the sheer overstrain of a faculty that
could make him re-arrange as he has done the
end of ' Antony and Cleopatra.' This perverse
ingenuity illustrates also the perilousness of a too
-exclusive attention to versification, for these
particular lines in our author's setting out are
not only hopeless as verse, but inapt as render-
ing Caesar's last utterance in the play.
We would not, however, conclude on a note of
remonstrance : the book is one to which we
-ourselves owe much enjoyment, and to which, as
we said above, the attention of students of
'Shakespeare is certainly due.
Last Verses. By Percy Addleshaw. (Elkin Mathews, 2s. 6d. net.)
IT is now some four years since the death of William Percy Addleshaw, an occasional contri- butor to our columns. Mr. Arundel Osborne
i introduces this collection of his remaining verse by a very sympathetic short biography. He has much to tell of physical suffering and of the repeated checks imposed by ever-increasing bad health to what might have been a brilliant career. Commenting on Addleshaw's " cheeriness " as a friend and correspondent Mr. Osborne remarks that " only the poems show the darker side of his
-spirit." The reader readily understands that this is so ; though habitual courage makes itself
, felt even in the melancholy of these verses. Their
-chief attraction lies in the interest in the writer which they contrive to arouse. They rarely touch the height of absolute poetry ; and once or twice the imagery shows a want of poetical tact : but they have life in them and sincerity and meaning. We liked best one or two of the
- quartrains, the verses entitled respectively ' Church Stretton,' ' In Many Ways,' ' In the hiaia,' and ' The Rope,. Walk.'
to <K0msp0tttottts.
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MR. ANEURIN WILLIAMS. The'author of the 1 Essay on Bailments ' was Sir William Jones the orientalist.
MR. D. R. McCoRD. The ' D.N.B.' has a full article on the brothers Sobieski Stuart, and theit history has been fully discussed in our own columns. See 5 S. viii." 28, 58, 92, 113, 158, 214, 274, 351, 397 of which the third reference should particularly be noted ; 6 S. iii. 265, and 12 S. i. 110, 156, 190, 277.
MR. ARCHIBALD SPARKE writes : " Coddington " (12S. vi. 168). Will this be William Coddington (1601-1678), governor of Rhode Island, New England, a native of Lincolnshire, born 1601 ? He was chosen in England to be an "assistant" or magistrate to the colony at Massachusetts Bay, and arrived at Salem June 12, 1630. For some time he was treasurer of the colony. In 1638 he joined the emigrants who left for Rhode Island, and was a judce and governor of several of the towns there. He died November 1, 1678. If this is the individual required, further particulars will be found in the ' D.N.B.'
AT 12 S. v. 245, col. 2, the reference to the Magdalen College Register should bear the name of .1. R. Bloxam not W. D. Macray. We owe this correction to MR. W. A. B. COOLIDGE.
I. F. For details concerning the Fawcett-Munro duel see Miller's ' St. Pancras, Past and Present,' pp. 269-73, and Walford and Thornburg's ' Old and New London,' v. 376, also ' N. and Q.' 8 S. ix. 230 and 10 S. iv. 72.
L. M. A. Forwarded to H. A. ST -J. M.
J. HARVEY BLOOM,
Archivist and Genealogist, 601 BANK CHAMBERS, 329 HIGH HOLBORN B.3.1.
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Local Histories collected and prepared for the press. Mr. Bloom is
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