516
NOTES AND QUERIES. [9 th s. vm. DEC. 21, 1001.
tically unsatisfactory work, which, old as it is, is
said to be the work of a decadent. Very modern
in appearance, and no less conventionally pretty,
are the Greco-Egyptian portraits of girls from the
collection of Theodore Graf, of Vienna, the eyes of
which are as large as those of Beatrice described
by Thackeray in 'Esmond.' A beautiful child is
the infant Nero, from the bust in the Uffizi Gallery,
Florence. A full-page illustration follows of the
smiling-faced bust of a Roman child in the British
Museum, a second giving, from the same institution,
a tete d'amour, a piece of Greek sculpture. Among
other designs of the opening chapter are a very
quaint bust from the Musee de Cluny, an ivory
Virgin and Child from the same, a second from
the Louvre, and a specially beautiful St. Anne
and the Virgin as a child from Bordeaux Cathe-
dral. The Italian chapter begins with some
profoundly interesting frescoes, one of which,
' Une Correction a 1'Ecole,' is both beautiful and
quaint. It shows a pretty chubby infant hoisted
on the shoulders of a man in order to receive a
whipping. Far too young is the baby, according to
modern views, to merit such punishment. A bust
by Donatello of a laughing child is delightful. First
among the ecclesiastical designs comes a repre-
sentation by Filippino Lippi, from the Pitti Gal-
lery, of an Infant Jesus under a rain of roses.
Among those which follow is the famous ' Madonna
alia Seggiola ' of Raphael. Coming to Spanish art,
we have some wonderful portraits of Velasquez,
foremost among which are the Infanta Margarita
from the Louvre, and the Infanta Maria Teresa,
subsequently the spouse of Louis XIV., from the
gallery of the Prado, absolutely inaccessible in the
hugest hoop that can ever have been worn. From
the same gallery of the Prado comes the picture by
Murillo of the Infant Jesus giving drink to St.
John. A most happily inspired child portrait of
Franz Hals comes early among the German and
Flemish pictures, but is eclipsed in interest by the
superb laughing child of the same painter from
the private collection of M. Jules Porges. Rem-
brandt's portrait of his son Titus van Ryn is
also conspicuous, as is ' The Young Cavalier, now
one of the Windsor Vandycks. Arriving at France,
we find the Comtesse Mollien of Greuze serving as
frontispiece to the volume. The portraits by
Clouet, Nattier, and Watteau are among the best
in the work. Specially noteworthy are the young
Francis II. when Dauphin of Clouet ; Louis XVII.
when Dauphin by Madame Vig6e - Lebrun ; and
Le Chevalier de Pange by Drouais. Reaching the
English national school, which is held not to have
begun before the eighteenth century, the author
delectates in the portraits of Reynolds, Gains-
borough, Hoppner, Romney, and Raeburn. Gains-
borough is assigned the highest position among
English artists as a painter of children. It is need-
less to say that the best-known masterpieces of the
English school are given, Gainsborough's 'Blue Boy,'
from the collection of the Duke of Westminster,
holding a conspicuous place. In the final chapter
meng's Mile. P., and some admirable portraits by
Sargent and other artists. Very great pains must
have been spent in obtaining so large and repre-
sentative a collection. The processes of reproduc-
tion are thoroughly successful, and the book is a
treasure house of delight. Ita superb pale-green
morocco binding, sprinkled with leaves and lilies,
the dead gold of its edges, and the typographical
luxury of the whole render it fit for the boudoir of
a queen.
The Northern Genealogist, edited by A. Gibbons, F.S.A,, gives, in an admirable instalment, a con- tinuation of the heriots, &c., in the Wakefield Manor Rolls. The period now comprised extends from 1513 to 1627. All the heriots between 1500 and 1563 that are decipherable are being given. They are of highest interest to Yorkshire genea- logists, including many names still closely associated with the district. ' Marriage Bonds of the Dean and Chapter of York, 5 ' Lincoln Marriage Registers,' and ' Act Books of the Prerogative Court of York ' are also continued. The volume of which the present part constitutes an instalment is the fourth. The entire series will be preserved in all genealogical collections. In the Lincoln marriage registers Ralphe Clayton, of Ruskington, "ludi magister," marries in 1588 Ann Groslinge, of Dockdike. What is the exact significance of "ludi magister" used at this period? Qy. schoolmaster?
Cycle Repair and Maintenance, by A. W. Marshall, which is No. 21 of the " Useful Arts " series, edited by Mr. H. Snowden Ward, and published by Messrs. Dawbarn & Ward, has reached a second edition, a strong proof of its utility. Among recent additions to the series are Glass, by the Rev. F. C. Lambert, M.A. ; Home-made Fitments and Furni- ture, by the same ; Perfumes and Cosmetics, by Mr. Thomas Bolas and Mr. C. G. Leland ; and Gesso Work, by Mr. Matthew Webb.
to
We must call special attention to the following notices :
ON all communications must be written the name and address of the sender, not necessarily for pub- lication, but as a guarantee of good faith.
WE cannot undertake to answer queries privately.
To secure insertion of communications corre- spondents must observe the following rules. Let each note, query, or reply be written on a separate slip of paper, with the signature of the writer and such address as he wishes to appear. When answer- ing queries, or making notes with regard to previous entries in the paper, contributors are requested to put in parentheses, immediately after the exact heading, the series, volume, and page or pages to which they refer. Correspondents who repeat queries are requested to head the second com- munication " Duplicate."
G. A. B. Each answer should be given separately with the proper heading and references.
H. HEMS. The word was left out in your copy.
NOTICE.
Editorial communications should be addressed to " The Editor of * Notes and Queries '"Advertise- ments and Business Letters to " The Publisher" at the Office, Bream's Buildings, Chancery Lane, E.G.
We beg leave to state that we decline to return communications which, for any reason, we do not print ; and to this rule we can make no exception.
