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THE VIRGINIAN

"'Nay, I'm killed, sire,'" drawled the Virginian, amiably; for (symptom of convalescence) his freakish irony was revived in him. "Now a man who was man enough to act like he did, yu' see, would fall dead without mentioning it."

None of Molly's sweet girl friends had ever thus challenged Mr. Browning. They had been wont to cluster over him with a joyous awe that deepened proportionally with their misunderstanding. Molly paused to consider this novelty of view about the soldier. "He was a Frenchman, you know," she said, under inspiration.

"A Frenchman," murmured the grave cow-puncher. "I never knowed a Frenchman, but I reckon they might perform that class of foolishness."

"But why was it foolish?" she cried. "His soldier's pride—don't you see?"

"No."

Molly now burst into a luxury of discussion. She leaned toward her cow-puncher with bright eyes searching his; with elbow on knee and hand propping chin, her lap became a slant, and from it Browning the poet slid and toppled, and lay unrescued. For the slow cow-puncher unfolded his notions of masculine courage and modesty (though he did not deal in such high-sounding names), and Molly forgot everything to listen to him, as he forgot himself and his inveterate shyness and grew talkative to her. "I would never have supposed that!" she would exclaim as she heard him; or, presently again, "I never had such an idea!" And her mind opened with delight to these new things which came from the man's mind