PREFACE
as old inflections fade into modern the old spelling becomes less and less vital, and has been brought (not, I hope, too abruptly) into line with that sanctioned by use and familiar. To do this seemed wiser than to discourage many readers for the sake of diverting others by a scent of antiquity which—to be essential—should breathe of something rarer than an odd arrangement of type. But there are scholars whom I cannot expect to agree with me; and to conciliate them I have excepted Spenser and Milton from the rule.
Glosses of archaic and otherwise difficult words are given at the foot of the page: but the text has not been disfigured with reference-marks. And rather than make the book unwieldy I have eschewed notes—reluctantly when some obscure passage or allusion seemed to ask for a timely word; with more equanimity when the temptation was to criticize or ‘appreciate.’ For the function of the anthologist includes criticizing in silence.
Care has been taken with the texts. But I have sometimes thought it consistent with the aim of the book to prefer the more beautiful to the better attested reading. I have often excised weak or superfluous stanzas when sure that excision would improve; and have not hesitated to extract a few stanzas from a long poem when persuaded that they could stand alone as a lyric. The apology for such experiments can only lie in their success: but the risk is one which, in my judgement, the anthologist ought to take. A few small corrections have been made, but only when they were quite obvious.
