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PAUL CLIFFORD.

the dark hue of their complexions, the same the haughty and Roman outline of their faces, the same the height of the forehead, the same even a displeasing and sarcastic rigidity of mouth, which made the most conspicuous feature in Brandon, and which was the only point that deteriorated from the singular beauty of Clifford. But above all, the same inflexible, defying, stubborn spirit, though in Brandon it assumed the stately cast of Majesty, and in Clifford it seemed the desperate sternness of the bravo, stamped itself in both. Though Clifford ceased, he did not resume his seat, but stood in the same attitude as that in which he had reversed the order of things, and merged the petitioner in the accuser. And Brandon himself, without speaking or moving, continued still to survey him. So, with erect fronts, and marble countenances, in which what was defying and resolute did not altogether quell a mortal leaven of pain and dread, they looked as might have looked the two men in the Eastern story, who had the power of gazing each other unto death.

What, at that moment, was raging in Brandon's