plainly depicted on their tombs. At a later date the triumphal arches of the Romans mirror the ambitions of the classic citizen. Can we not see the rugged disposition of the inhabitants of Western Europe in the stern but picturesque buildings of the Gothic style? And so with the State of Nepal. The story of the people, and all that is profound in their nature, is illustrated in the temples and shrines of the valley. A short account of the population of Nepal, and the influences to which they have been subjected, seems necessary before their picturesque circumstances, and particularly the full meaning of the artistic conditions of their environment, can be properly realized.
The people of Nepal resolve themselves into so many different tribes that any broad classification appears at first sight a somewhat difficult matter. The most important of these are Gurkhas, Newars, Magars, Gurungs, Limbus, Kiratis, Bhotiyas, and Lepchas. As a result of this mixed population, the State vies with the Tower of Babel in its confusion of tongues, as at least six
