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THE CRY OF THE CHILDREN.
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They answer, "Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word!
And we hear not (for the wheels in their resounding)
    Strangers speaking at the door:
Is it likely God, with angels singing round Him,
    Hears our weeping any more?

"Two words, indeed, of praying we remember;
    And at midnight's hour of harm,—
'Our Father,' looking upward in the chamber;
    We say softly for a charm.[1]
We know no other words, except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within His right hand which is strong.
'Our Father!' If He heard us, He would surely
    (For they call Him good and mild)
Answer, smiling down the steep world very purely,
    'Come and rest with me, my child.'

"But, no!" say the children, weeping faster,
    "He is speechless as a stone;
And they tell us, of His image is the master
    Who commands us to work on.
Go to!" say the children,—"Up in Heaven,
Dark, wheel-like, turning clouds are all we find!
Do not mock us; grief has made us unbelieving—
We look up for God, but tears have made us blind."

  1. A fact rendered pathetically historical by Mr. Horne's report of his commission. The name of the poet of "Orion" and "Cosmo de Medici" has, however, a change of associations; and comes in time to remind me (with other noble instances) that we have some brave poetic heat of literature still,—though open to the reproach, on certain points, of being somewhat gelid in our humanity.