stand the quality which stirs and firmly holds the attention of the earnest-minded.
What constitutes the needful “magnitude” in a biographic theme? It is difficult to set up a fixed standard whereby to measure the dimensions of a human action. But by way of tentative suggestion or hypothesis, the volume of a human action may be said to vary, from the biographer’s point of view, with the number of times that it has been accomplished or is capable of accomplishment.
The magnitude of human action is necessarily of many degrees; the scale ascends and descends. The production by Shakespeare of his thirty-seven plays is an action of the first magnitude, because the achievement is unique. The victory of Wellington at Waterloo is an action of great but of lesser magnitude, because deeds of like calibre have been achieved by other military commanders, and are doubtless capable, if the need arise, of accomplishment again. As we descend the scale of achievement, we reach by slow gradations the level of action which forms the terminal limit of the biographic province.
