responsibility may well lift his career to the requisite level of eminence.
In appraising the magnitude—the biographic capacity or content—of a career, one must needs guard against certain false notions—εἴδωλά or idols in Baconian terminology—which prevail widely and tend to distort the judgment. Domestic partiality, social contiguity, fortuitous clamour of the crowd—such things frequently cause mediocrity to masquerade as magnitude. The biographer has to forswear the measuring rods of the family hearth, of the hospitable board, of journalistic advertisement. A kinsman or a kinswoman, an intimate companion, is easily moved by private affection to credit undiscriminatingly a man or woman’s activity with the dimensions that justify biographic commemoration. A newspaper records day by day the activities Of some seeker after notoriety, until his name grows more familiar to his generation than that of Shakespeare or Nelson. Evanescent repute may very easily, through journalistic iteration, be mistaken for that
