He is exempt from transition into something else, must mean that his nature remains self-consistent in relation to all change.
Thus God is the measure of the æsthetic consistency of the world. There is some consistency in creative action, because it is conditioned by his immanence.
If we trace the evil in the world to the determinism derived from God, then the inconsistency in the world is derived from the consistency of God. Also the incompletion in the world is derivative from the completion of God.
The temporal world exhibits two sides of itself. On one side it exhibits an order in matter of fact, and a self-contrast with ideals, which show that its creative passage is subject to the immanence of an unchanging actual entity. On the other side its incompletion, and its evil, show that the temporal world is to be construed in terms of additional formative elements which are not definable in the terms which are applicable to God.
