instance of experienced value. There is not one simple line of transition from occasion to occasion, though there may be a dominant line. The whole world conspires to produce a new creation. It presents to the creative process its opportunities and its limitations.
The limitations are the opportunities. The essence of depth of actuality — that is of vivid experience — is definiteness. Now to be definite always means that all the elements of a complex whole contribute to some one effect, to the exclusion of others. The creative process is a process of exclusion to the same extent as it is a process of inclusion. In this connection “to exclude” means to relegate to irrelevance in the æsthetic unity, and “to include” means to elicit relevance to that unity.
The birth of a new instance is the passage into novelty. Consider how any one actual fact, which I will call the ground, can enter into the creative process. The novelty which enters into the derivate instance is the information of the actual world with a new
