was interrupted occasionally by outburts of beautiful thought, the fragments of which were collected by Mademoiselle Salomon. Louis had likewise occasional fits of insanity. He believed himself powerless and wished, one day, to perform on his own body Origene's celebrated operation. Lambert died September 25, 1824, the day before the date selected for his marriage with Pauline. (Louis Lambert, A Distinguished Provincial at Paris, A Seaside Tragedy)
LAMBERT (Madame), lived in Paris in 1840. She was then at a very pious age, "played the saint," and performed the duties of housekeeper for M. Picot, professor of mathematics, No. 9, rue du Val-de-Grace. In the service of this old philosopher she reaped enormous profits. Madame Lambert hypocritically took advantage of her apparent devotion to him. She sought Theodose de la Peyrade, and begged him to write a memorial to the Academy in her favor, for she longed to receive the reward offered by Montyon. At the same time she put into La Peyrade's keeping twenty-five thousand francs, which she had accumulated by her household thefts. On this occasion, Madame Lambert seems to have been the secret instrument of Corentin, the famous police-agent. (The Middle Classes)
LANGEAIS (Duc de), a refugee during the Restoration, who planned, at the time of the Terror, by correspondence with the Abbe de Marolles and the Marquis de Beauseant to help escape from Paris, where they were in hiding, two nuns, one of whom, Sister Agathe, was a Langeais. (An Episode Under the Terror) In 1812 Langeais married Mademoiselle Antoinette de Navarreins, who was then eighteen years old. He allowed his wife every liberty, and, neither abandoning any of his habits, nor giving up any of his pleasures, he lived, indeed, apart from her. In 1818 Langeais commanded a division in the army and occupied a position at court. He died in 1823. (The Thirteen)
LANGEAIS (Duchesse Antoinette de),[1] wife of the preceding,
- ↑ At the Vaudeville and Gaite theatres in Paris, Ancelot and Alexis Decomberousse at the former, and Messieurs Ferdinand Dugue and Peaucellier at the latter, brought out plays founded on the life of Antoinette de Langeais, in 1834 and 1868 respectively.
