BOUCHER (Alfred), eldest son of the preceding. Born in 1812. A youth, eager for literary fame, whom Albert Savarus put on the staff of his "Revue de l'Est," giving him his themes and subjects. Alfred Boucher conceived a strong admiration for the managing editor, who treated him as a friend. The first number of the "Revue" contained a "Meditation" by Alfred. This Alfred Boucher believed he was exploiting Savarus, whereas the contrary was the case. (Albert Savarus)
BOUFFE (Marie), alias Vignol, actor born in Paris, September 4, 1800. He appeared about 1822 at the Panorama-Dramatique theatre, on the Boulevard du Temple, Paris, playing the part of the Alcade in a three-act imbroglio by Raoul Nathan and Du Bruel entitled "L'Alcade dans l'embarras." At the first night performance he announced that the authors were Raoul and Cursy. Although very young at the time, this artist made his first great success in this role, and revealed his talent for depicting an old man. The critique of Lucien de Rubempre established his position. (A Distinguished Provincial at Paris)
BOUGIVAL (La). (See Cabirolle, Madame.)
BOUGNIOL (Mesdemoiselles), proprietors of an inn at Guerande (Loire-Inferieure), at the time of Louis Philippe. They had as guests some artist friends of Felicite des Touches—Camille Maupin—who had come from Paris to see her. (Beatrix)
BOURBONNE (De), wealthy resident of Tours, time of Louis XVIII. and Charles X. An uncle of Octave de Camps. In 1824 he visited Paris to ascertain the cause of the ruin of his nephew and sole heir, which ruin was generally credited to dissipations with Mme. Firmiani. M. de Bourbonne, a retired musketeer in easy circumstances, was well connected. He had entry into the Faubourg Saint-Germain through the Listomeres, the Lenoncourts and the Vandenesses. He caused himself to be presented at Mme. Firmiani's as M. de Rouxellay, the name of his estate. The advice
