here! Philip will prepare for Gloriana a destruction from the West—a destruction from the West—far exceeding that which Pedro de Avila wrought upon the Huguenots. And he rests and remains, kissing her feet and her hands, her slave, her enemy, or her conqueror, as he shall find that she uses him.'
She thrust back the letter under her cloak, and went on acting, but in a softer voice. 'All this while—hark to it—the wind blows through Brickwall Oak, the music plays, and, with the company's eyes upon her, the Queen of England must think what this means. She cannot remember the name of Pedro de Avila, nor what he did to the Huguenots, nor when, nor where. She can only see darkly some dark motion moving in Philip's dark mind, for he hath never written before in this fashion. She must smile above the letter as though it were good news from her ministers—the smile that tires the mouth and the poor heart. What shall she do?' Again her voice changed.
'You are to fancy that the music of a sudden wavers away. Chris Hatton, Captain of her bodyguard, quits the table all red and ruffled, and Gloriana's virgin ear catches the clash of swords at work behind a wall. The mothers of Sussex look round to count their chicks—I mean those young game-cocks that waited on her. Two dainty youths have stepped aside into Brickwall garden with rapier and dagger on a private point of honour. They are haled out through the gate, disarmed and glaring—the lively image of a brace of young Cupids transformed into
