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romance and chivalry is in the wane; and reason will gain by its extinction.
From observing several cold romantic characters I have been led to confine the term romantic to one definition—false, or rather artificial, feelings. Works of genius are read with a prepossession in their favour, and sentiments imitated, because they were fashionable and pretty, and not because they were forcibly felt.
In modern poetry the understanding and memory often fabricate the pretended effusions of the heart, and romance destroys all simplicity; which, in works of taste, is but a synonymous word for truth. This romantic spirit has extended to our prose, and scattered artificial flowers over the most barren heath; or a mixture of verse and prose producing the strangest incongruities. The turgid bombast of some of your periods fully proves these assertions; forwhen
