Night's Dream. 'Bottom,' he says, 'seems to have been bred in a tiring-room. He is for engrossing every part, and would exclude his inferiors from all possibility of distinction.' Again, 'Bottom discovers a true genius for the stage by his solicitude for propriety of dress, and his deliberation which beard to choose among many beards, all unnatural.'
The sonorous and ponderous rotundity of Johnson's style, and the unfailing respect that he pays to law and decorum, have partly concealed from view the wilfulness of his native temper. Obedience to law can never be the soul of a man or of a writer. It is the converted rebels who give power to the arm of government. If there has ever been a writer of a sober, slow, and conforming temper, who has left memorable work behind him, it will be found, I think, that for the greater part of his life he acted as a poor mechanical drudge in the service of his own youthful enthusiasm, and painfully filled out the schemes which were conceived in a happier time. All enduring literary work is the offspring of intense excitement. Johnson did most of his reading piecemeal, in a fever of agitation. If any man praised a book in his presence, he was sure to ask, 'Did you read it through?' If the answer was in the affirmative, he did not seem willing to believe it. He very seldom read a book from beginning to end; his writing, moreover, was done at high speed, and often at a great heat of imagination. Some writers use general statements as a mask to conceal ignorance and emptiness; Johnson prefers them because they lend smoothness and decency to passion. He states only his conclusions; but the premises, although they are not given, are vividly present to his mind. When it becomes necessary, as a guarantee of sincerity and knowledge, to exhibit in
