the Seine that fed the fertile valley land; the Seine that claimed a thousand bloated lifeless floating Things; the red-eyed hag of 1793; the dimpling coquette of 1650. Beneath the illustration a line or two—Roelf Pool. . . Salon. . . American. . . future. . .
“It’s Roelf!”? Selina had cried. “Roelf. Little Roelf Pool!” Tears in her eyes. Dirk had been politely interested. But then he had never known him, really. He had heard his mother speak of him, but
Selina showed the picture to the Pools, driving over there one evening to surprise them with it. Mrs. Klaas Pool had been horrified at the picture of a nude woman's figure; had cried “Og heden!” in disgust, and had seemed to think that Selina had brought it over in a spirit of spite. Was she going to show it to the rest of High Prairie!
Selina understood High Prairie folk better now, though not altogether, even after almost twenty years of living amongst them. A cold people, yet kindly. Suspicious, yet generous. Distrustful of all change, yet progressing by sheer force of thrift and unceasing labour. Unimaginative for generations, only to produce—a Roelf Pool.
She tried now to explain the meaning of the figure Roelf had moulded so masterfully. “You see, it’s supposed to represent the Seine. The River Seine that flows through Paris into the countryside beyond. The whole history of Paris—of France—is bound up
