it is, has got to be lived with, and kicked about, and rubbed down, and mistreated by servants, and repolished, and knocked around and dusted and sat on or slept in or eaten off of before it develops its real character,” Selina said. “A good deal like human beings. I’d rather have my old maple table, mellow with age and rubbing, that Pervus’s father put together himself by hand seventy years ago, than all the mahogany library slabs on Wabash Avenue.”
She enjoyed these rare trips into town; made a holiday of them. Dirk would take her to the theatre and she would sit entranced. Her feeling for this form of entertainment was as fresh and eager as it had been in the days of the Daly Stock Company when she, a little girl, had been seated in the parquet with her father, Simeon Peake. Strangely enough, considering the lack of what the world calls romance and adventure in her life, she did not like the motion pictures. “All the difference in the world,” she would say, “between the movies and the thrill I get out of a play at the theatre. My, yes! Like fooling with paper dolls when you could be playing with a real live baby.”
She developed a mania for nosing into strange corners of the huge sprawling city; seemed to discover a fresh wonder on each visit. In a short time she was more familiar with Chicago than was Dirk—for that matter, than old Aug Hempel who had lived in it for ever half a century but who never had gone far afield in his pendulum path between the yards and his house, his house and the yards.
