ness, they were so calm, so serene, yet so alive. They were the beautiful eyes of a wise young girl in the face of a middle-aged woman. Life was still so fresh to her.
She had almost poignantly few personal belongings. Her bureau drawers were like a nun’s; her brush and comb, a scant stock of plain white underwear. On the bathroom shelf her toothbrush, some vaseline, a box of talcum powder. None of those aids to artifice with which the elderly woman deludes herself into thinking that she is hoodwinking the world. She wore well-made walking oxfords now, with sensible heels—the kind known as Field’s special; plain shirtwaists and neat dark suits, or a blue cloth dress. A middle-aged woman approaching elderliness; a woman who walked and carried herself well; who looked at you with a glance that was direct but never hard. That was all. Yet there was about her something arresting, something compelling. You felt it.
“I don’t see how you do it!” Julie Arnold complained one day as Selina was paying her one of her rare visits in town. “Your eyes are as bright as a baby’s and mine look like dead oysters.” They were up in Julie’s dressing room in the new house on the north side—the new house that was now the old house. Julie’s dressing table was a bewildering thing. Selina DeJong, in her neat black suit and her plain black hat, sat regarding it and Julie seated before it, with a grim and lively interest.
“It looks,” Selina said, “like Mandel’s toilette sec-
