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rings, a cigarette, luncheon at Huyler’s. All these girls looked amazingly alike, Dirk thought; talked very much alike. They all spoke French with a pretty good accent; danced intricate symbolic dances; read the new books; had the same patter. They prefaced, interlarded, concluded their remarks to each other with, “My deah!” It expressed, for them, surprise, sympathy, amusement, ridicule, horror, resignation, “My deah! You should have seen her! My deeah!’—horror. Their slang was almost identical with that used by the girls working in his office. “She’s a good kid,” they said, speaking in admiration of another girl. They made a fetish of frankness. In a day when everyone talked in screaming headlines they knew it was necessary to red-ink their remarks in order to get them noticed at all. The word rot was replaced by garbage and garbage gave way to the ultimate swill. One no longer said “How shocking!” but, “How perfectly obscene!” The words, spoken in their sweet clear voices, fell nonchalantly from their pretty lips. All very fearless and uninhibited and free. That, they told you, was the main thing. Sometimes Dirk wished they wouldn’t work so hard at their play. They were forever getting up pageants and plays and large festivals for charity; Venetian fêtes, Oriental bazaars, charity balls. In the programme performance of these many of them sang better, acted better, danced better than most professional performers, but the whole thing always lacked. the flavour, somehow, of professional performance. On these affairs, they lavished