not uncomely, with high round cheek-bones on which sat a spot of brick-red which imparted no glow to the face. Their foreheads were prominent and meaningless.
In the midst of this drab assemblage there entered late and rustlingly a tall, slow-moving woman in a city-bought cloak and a bonnet quite unlike the vintage millinery of High Prairie. As she came down the aisle Selina thought she was like a full-sailed frigate. An ample woman, with a fine fair skin and a ripe red mouth; a high firm bosom and great thighs that moved rhythmically, slowly. She had thick, insolent eyelids. Her hands, as she turned the leaves of her hymn book, were smooth and white. As she entered there was a little rustle throughout the congregation; a craning of necks. Though she was bustled and flounced and panniered, you thought, curiously enough, of those lolling white-fleshed and unconventional ladies whom the sixteenth century painters were always portraying as having their toe nails cut with nothing on.
“Who's that?” whispered Selina to Maartje.
“Widow Paarlenberg. She is rich like anything.”
“Yes?” Selina was fascinated.
“Look once how she makes eyes at him.”
“At him? Who? Who?”
“Pervus DeJong. By Gerrit Pon he is sitting with the blue shirt and sad looking so.”
Selina craned, peered. “The—oh—he’s very good looking, isn’t he?”
“Sure. Widow Paarlenberg is stuck on him. See
