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THE HIDDEN MASTERPIECE.
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satiny lustre I am putting on the bosom gives it the plump suppleness of the flesh of a young girl. See how this tone of mingled reddish-brown and ochre warms up the cold grayness of that large shadow where the blood seemed to stagnate rather than flow. Young man, young man! what I am showing you now no other master in the world can teach you. Mabuse alone knew the secret of giving life to form. Mabuse had but one pupil, and I am he. I never took a pupil, and I am an old man now. You are intelligent enough to guess at what should follow from the little that I shall show you to-day."

While he was speaking, the extraordinary old man was giving touches here and there to all parts of the picture. Here two strokes of the brush, there one, but each so telling that together they brought out a new painting,—a painting steeped, as it were, in light. He worked with such passionate ardor that the sweat rolled in great drops from his bald brow; and his motions seemed to be jerked out of him with such rapidity and impatience that the young Poussin fancied a demon, incased within the body of this singular being, was working his hands fantastically like those of a puppet without, or even against, the will of their owner. The unnatural brightness of his eyes, the convulsive movements which seemed the result of some mental resistance, gave to this fancy of the youth a semblance of