life of the line which seems to terminate the body? The same phenomenon which we notice around fishes in the water is also about objects which float in air. See how these outlines spring forth from the background. Do you not feel that you could pass your hand behind those shoulders? For seven years have I studied these effects of light coupled with form. That hair,—is it not bathed in light? Why, she breathes! That bosom,—see! Ah! who would not worship it on bended knee? The flesh palpitates! Wait, she is about to rise; wait!"
"Can you see anything?" whispered Poussin to Porbus.
"Nothing. Can you?"
"No."
The two painters drew back, leaving the old man absorbed in ecstasy, and tried to see if the light, falling plumb upon the canvas at which he pointed, had neutralized all effects. They examined the picture, moving from right to left, standing directly before it, bending, swaying, rising by turns.
"Yes, yes; it is really a canvas," cried Frenhofer, mistaking the purpose of their examination. "See, here is the frame, the easel; these are my colors, my brushes." And he caught up a brush which he held out to them with a naïve motion.
"The old rogue is making game of us," said
