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be inspired by an overmastering idea as to be looking about for appropriate images to express certain ethical and religious sentiments. He has obviously seen the Northern farmer with his own eyes; he has only contrived his knights, who never seem to me to be clothed in real flesh and blood. Jowett remarks that the 'allegory in the distance greatly strengthens, also elevates, the meaning of the poem.' To me, I humbly confess, 'allegory,' rightly or wrongly, means nuisance. The 'meaning' which it sticks on to a poem is precisely what the poem cannot properly 'mean.' The old Morte d'Arthur, as it appeared with the charming old setting, was one of the poems which we all knew by heart. One of the charms was surely that the behaviour of the persons was delightfully illogical and absurd. Rather, perhaps, it took one to the world in which true logic demands illogical behaviour. Things take place there according to a law of their own, which is the more attractive just because it is preposterous and apparently arbitrary. When Sir Bedivere throws Excalibur into the lake, the whole proceeding is, as indeed Sir Bedivere very properly perceives and points out, contrary to all common-sense. His reluctance gives us warning that we