Page:Terminations (New York, Harper and Brothers, 1895).djvu/203

This page has been validated.
THE ALTAR OF THE DEAD
191

was conscious that he had turned slightly faint. That new woman, that hired performer, Mrs. Creston? Mrs. Creston had been more living for him than any woman but one. This lady had a face that shone as publicly as the jeweller's window, and in the happy candor with which she wore her monstrous character there was an effect of gross immodesty. The character of Hugh Creston's wife, thus attributed to her, was monstrous for reasons which Stransom could see that his friend perfectly knew that he knew. The happy pair had just arrived from America, and Stransom had not needed to be told this to divine the nationality of the lady. Somehow it deepened the foolish air that her husband's confused cordiality was unable to conceal. Stransom recalled that he had heard of poor Creston's having, while his bereavement was still fresh, gone to the United States for what people in such predicaments call a little change. He had found the little change; indeed, he had brought the little change back; it was the little change that stood there and that, do what he would, he couldn't, while he showed those high front-teeth of his, look like any thing but a conscious ass about. They were going into the shop, Mrs. Creston said, and she begged Mr. Stransom to come with them and help to decide. He thanked her, opening his watch and pleading an engagement for which he was already late, and they parted while she shrieked into the fog, "Mind now you come to see me right away!" Creston