Page:Terminations (New York, Harper and Brothers, 1895).djvu/228

flow—a demonstration that would have been a signally false note. Even her better situation too seemed only to draw out in a sense the loneliness of her future. It would merely help her to live more and more for their small ceremonial, at a time when he himself had begun wearily to feel that, having set it in motion, he might depart. When they had sat a while in the pale parlor she got up and said: "This isn't my room: let us go into mine." They had only to cross the narrow hall, as he found, to pass into quite another air. When she had closed the door of the second room, as she called it, he felt that he had at last real possession of her. The place had the flush of life—it was expressive; its dark red walls were articulate with memories and relics. These were simple things—photographs and water-colors, scraps of writing framed and ghosts of flowers embalmed; but only a moment was needed to show him they had a common meaning. It was here that she had lived and worked; and she had already told him she would make no change of scene. He saw that the objects about her mainly had reference to certain places and times; but after a minute he distinguished among them a small portrait of a gentleman. At a distance and without their glasses his eyes were only caught by it enough to feel a vague curiosity. Presently this impulse carried him nearer, and in another moment he was staring at the picture in stupefaction and with the sense that some sound had broken from him. He was further