was softer than wool and certainly showed his form to better advantage. Sometimes after supper he would appear in public dressed in the stiff dalmatic of a young deacon, calling himself Fabius Gurgis, and Scipio, because the parents of these youths had formerly shown them to the people in this costume in order to correct their bad manners.
Encircling his curls (but in the palace only) was a diadem of heavy gold, studded with jewels; not the simple golden circlet known to the Roman world, but one after a Persian design, first introduced by Caracalla, rich, splendid, and brilliant with the numbers of rubies, sapphires, and emeralds which he thought became him. Unfortunately, his taste for precious stones did not stop here. Lampridius and Herodian pour deserved scorn on the numerous bracelets, rings and necklaces, all as rich and costly as could be made, with which he decked his person; but, perhaps unnecessarily, on his shoe-buckles, whose stones, engraved cameo and intaglio, were the wonder of the beholder, and their cry has been increased to a howl by later commentators, who seem to consider it a species of indecency that the Emperor's shoes should be of fine leather, his stones priceless, while theirs were of ill-dressed cowhide, held together with buckles of paste.
Of course, it is not a pleasant taste, this overlaying of the body with an inordinate display of wealth, even when done merely for the honour of one's God, as Elagabalus protested. Unfortunately, it is still known both in the Plutocratic and Sacer-
