shrewdness had belonged to an irreligious man, it would have been of questionable character; but as he was a zealous member of the church, he was protected from assaults upon his integrity. If there were suspicions, they were kept close, not bruited abroad.
He was now an almost daily visitor at the widow Kinloch's. What was the intricate business that required the constant attention of a legal adviser? The settlement of the estate, so far as the world knew, was an easy matter. The property consisted of the dwelling-house, a small tract of land near the village, a manufactory at the dam, by the side of Ralph Hardwick's blacksmith's shop, and money, plate, furniture, and stocks. There were no debts. There was but one child, and, after the assignment of the widow's dower, the estate was Mildred's. Nothing, therefore, could be simpler for the administrators. The girl trusted to the good faith of her stepmother and the justice of the lawyer, who now stood to her in the place of a father. She was an orphan, and her innocence and childlike dependence would doubtless be a sufficient spur to the consciences of her protectors. So the girl thought, if she thought at all,--and so all charitable people were bound to think.
How wearily the days passed during the month after the funeral! The shadow of death seemed to darken everything. Doors creaked dismally when they were opened. The room where the body had been laid seemed to have grown a century older than the other parts of the once bright and cheerful house, --its atmosphere was so stagnant and full of mould. The family spoke only in suppressed tones; their countenances were as sad as their garments. All this was terrible to the impressible, imaginative, and naturally buoyant temper of Mildred. It was like dwelling in a tomb, and her heart cried out for very loneliness. She must do something to take her mind out of the sunless vault,--she must resume her relations with the dwellers in the upper air. All at once she thought of her father's last words,--of Ralph Hardwick, and the ebony cabinet. It was in the next room. She opened the door, half expecting to see some bodiless presence in the silent space. She could hear her own heart beat between the tickings of the great Dutch clock, as she stepped across the floor. How still was everything! The air tingled in her ears as though now disturbed for the first time.
She opened the cabinet, which was not locked, and pulled out the middle drawer. She found nothing but a dried rose-bud and a lock of sunny hair wrapped in a piece of yellowed paper. Was it her mother's hair? As Mildred remembered her mother, the color of her hair was dark, not golden. Still it might have been cut in youth, before its hue had deepened. And what a world of mystery, of feeling, of associations there was in that scentless and withered rose-bud! What fair hand had first plucked it? What pledge did it carry? Was the subtile aroma of love ever blended with its fragrance? Had her father borne it with him in his wanderings? The secret was in his coffin. The struggling lips could not utter it before they were stiffened into marble. Yet she could not believe that these relics were the sole things to which he had referred. There must have been something that more nearly concerned her,--something in which the blacksmith or his nephew was interested.
CHAPTER II.
In order to show the position of Mrs. Kinloch and her son in our story, it will be necessary to make the reader acquainted with some previous occurrences.
Six years before this date, Mrs. Kinloch was the Widow Branning. Her husband's small estate had melted like a snow-bank in the liquidation of his debts. She had only one child, Hugh, to support; but in a country town there is generally little that a woman can do to earn a livelihood; and she might often have suffered from want, if the neighbors had not relieved her. If she left
