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316
Chesuncook.
[August,

pine and oak, or other forest tree, cut down within the memory of man! As if individual speculators were to be allowed to export the clouds out of the sky, or the stars out of the firmament, one by one. We shall be reduced to gnaw the very crust of the earth for nutriment.

They have even descended to smaller game. They have lately, as I hear, invented a machine for chopping up huckleberry-bushes fine, and so converting them into fuel!—bushes which, for fruit alone, are worth all the pear-trees in the country many times over. (I can give you a list of the three best kinds, if you want it.) At this rate, we shall all be obliged to let our beards grow at least, if only to hide the nakedness of the land and make a sylvan appearance. The farmer sometimes talks of "brushing up," simply as if bare ground looked better than clothed ground, than that which wears its natural vesture,—as if the wild hedges, which, perhaps, are more to his children than his whole farm beside, were dirt. I know of one who deserves to be called the Tree-hater, and, perhaps, to leave this for a new patronymic to his children. You would think that he had been warned by an oracle that he would be killed by the fall of a tree, and so was resolved to anticipate them. The journalists think that they cannot say too much in favor of such "improvements" in husbandry; it is a safe theme, like piety; but as for the beauty of one of these "model farms," I would as lief see a patent churn and a man turning it. They are, commonly, places merely where somebody is making money, it may be counterfeiting. The virtue of making two blades of grass grow where only one grew before does not begin to be superhuman.

Nevertheless, it was a relief to get back to our smooth, but still varied landscape. For a permanent residence, it seemed to me that there could be no comparison between this and the wilderness, necessary as the latter is for a resource and a background, the raw material of all our civilization. The wilderness is simple, almost to barrenness. The partially cultivated country it is which chiefly has inspired, and will continue to inspire, the strains of poets, such as compose the mass of any literature. Our woods are sylvan, and their inhabitants woodmen and rustics,—that is, selvaggia, and the inhabitants are salvages. A civilized man, using the word in the ordinary sense, with his ideas and associations, must at length pine there, like a cultivated plant, which clasps its fibres about a crude and undissolved mass of peat. At the extreme North, the voyagers are obliged to dance and act plays for employment. Perhaps our own woods and fields,—in the best wooded towns, where we need not quarrel about the huckleberries,—with the primitive swamps scattered here and there in their midst, but not prevailing over them, are the perfection of parks and groves, gardens, arbors, paths, vistas, and landscapes. They are the natural consequence of what art and refinement we as a people have,—the common which each village possesses, its true paradise, in comparison with which all elaborately and wilfully wealth-constructed parks and gardens are paltry imitations. Or, I would rather say, such were our groves twenty years ago. The poet's, commonly, is not a logger's path, but a woodman's. The logger and pioneer have preceded him, like John the Baptist; eaten the wild honey, it may be, but the locusts also; banished decaying wood and the spongy mosses which feed on it, and built hearths and humanized Nature for him.

But there are spirits of a yet more liberal culture, to whom no simplicity is barren. There are not only stately pines, but fragile flowers, like the orchises, commonly described as too delicate for cultivation, which derive their nutriment from the crudest mass of peat. These remind us, that, not only for strength, but for beauty, the poet must, from time to time, travel the logger's path