BULLS AND BEARS.
CHAPTER I
THE ARTISTS' EXHIBITION, AND WHAT CAME OF IT.
There was an exhibition of pictures in an upper room on Washington Street. The artists had collected their unsold productions, and proposed to offer them at auction. There were sketches of White Mountain scenery, views of Nahant and other beaches, woodland prospects, farm-houses with well-sweeps, reedy marshes and ponds, together with the usual variety of ideal heads and figures,—a very pretty collection. The artists had gone forth like bees, and gathered whatever was sweetest in every field through a wide circuit, and now the lover of the beautiful might have his choice of the results without the fatigue of travel. Defects enough there were to critical eyes,—false drawing, cold color, and unsuccessful distances; still there was much to admire, and the spirit and intention were interesting, even where the inexperience of the painter was only too apparent.
A group of visitors entered the room: a lady in the prime of beauty, richly but modestly dressed, casting quick glances on all sides, yet with an air of quiet self-possession; a gentleman, her brother apparently, near forty years of age, dignified and prepossessing; a second lady, in widow's weeds; and a young gentleman with successful moustaches, lemon-colored gloves, and one of those bagging coats which just miss the grace of flowing outline without the compensation of setting off a good figure. The lady first mentioned seemed born to take the lead; it was no assumption in her; incedo regina was the expression of her gracefully poised head and her stately carriage. "A pretty bit," she said, carelessly pointing with her parasol to a picture of a rude country bridge and dam.
"Yes," said her elder brother, "spirited and lifelike. Who is the painter, Marcia?"
The beauty consulted her catalogue.
"Greenleaf, George Greenleaf."
"A new name. Look at that distant spire," he continued, "faintly showing among the trees in the background. The water is surprisingly true. A charming picture. I think I'll buy it."
"How quickly you decide," said the lady, with an air of languor. "The picture is pretty enough, but you haven't seen the rest of the collection yet. Gamboge paints lovely landscapes, they say. I wouldn't be enthusiastic about a picture by an artist one doesn't know anything about."
A gentleman standing behind a screen near by moved away with a changed expression and a deepening flush. Another person, an artist evidently, now accosted the party, addressing them as Mr. and Miss Sandford. After the usual civilities, he called their attention to the picture before them.
"We were just admiring it," said Mr. Sandford.
"Do you like it, Mr. Easelmann?" asked the lady.
"Yes, exceedingly."
"Ah! the generosity of a brother artist," replied Miss Sandford.
"No; you do the picture injustice,—and me too, for that matter; for," he added, with a laugh, "I am not generally supposed to ruin my friends by indiscriminate flattery. This young painter has wonderfully improved. He went up into the country last season, found a picturesque little village, and has made a portfolio of very striking sketches."
Miss Sandford began to appear interested.
"Quite pwomising," said the Adonis in the baggy coat, silent until now.
"Yes, he has blossomed all at once. He talks of going abroad."
"Bettah stay at home," said the young gentleman, languidly. "I've been thwough all the gallewies. It's always the same
