came on, and deepened into night. Still, amid the shadows, did Josepha fancy she could see the threatening brow of the empress, pale with anger. Solitude became insupportable, and she called her attendants. But human faces, and human voices, the cheerfulness of the lights, or even her favourite Pauline's bird-like song, were of no avail against the terror which every moment seemed to weigh more heavily on her spirits. With hurried and yet timid steps, starting, though she knew not why, at the least noise, Josepha began to pace the room. A low rap at the door interrupted her walk, and the confessor of the empress entered the apartment. Martini's features were chiselled with the perfection of sculpture, and his high brow bore the impress of mental power and thought far beyond his years, which were yet in their summer; his step was soft and humble—his voice low and sweet; yet fear was the sensation he always inspired. No one ever met his cold and cruel eye—so calm, so colourless—without saying, "That man delights in human misery."
He approached the duchess, and said, as he looked at her black dress, "I rejoice to see, my daughter, you have not waited for me to remind you of the pious duty to-night calls upon you to fulfil."
"What do you mean, father?" said the princess faintly, "I changed my dress on account of the heat."
