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AN OLD ACQUAINTANCE.
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more patiently to await him, I lighted a cigar, and establishing myself in a corner, took a quiet, and, by sympathy, a boozy kind of pleasure in the customary life that was going forward. The saloon was fitted up with a good deal of taste. There were pictures on the walls, and among them an oil-painting of a beef-steak, with such an admirable show of juicy tenderness, that the beholder sighed to think it merely visionary, and incapable of ever being put upon a gridiron. Another work of high art was the life-like representation of a noble sirloin; another, the hind-quarters of a deer, retaining the hoofs and tawny fur; another, the head and shoulders of a salmon; and, still more exquisitely finished, a brace of canvas-back ducks, in which the mottled feathers were depicted with the accuracy of a daguerreotype. Some very hungry painter, I suppose, had wrought these subjects of still life, heightening his imagination with his appetite, and earning, it is to be hoped, the privilege of a daily dinner off whichever of his pictorial viands he liked best. Then, there was a fine old cheese, in which you could almost discern the mites; and some sardines, on a small plate, very richly done, and looking as if oozy with the oil in which they had been smothered. All these things were so perfectly imitated, that you seemed to have the genuine article before you, and yet with an indescribable ideal charm; it took away the grossness from what was fleshiest and fattest, and thus helped the life of man, even in its earthliest relations, to appear rich and noble, as well as warm, cheerful, and substantial. There were pictures, too, of gallant revellers,—those of the old time,—Flemish, apparently,—with doublets and slashed sleeves,—drinking their wine