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A VILLAGE-HALL.
231

ive delicacy of the physical constitution. Of all these people I took note, at first, according to my custom. But I ceased to do so the moment that my eyes fell on an individual who sat two or three seats below me, immovable, apparently deep in thought, with his back, of course, towards me, and his face turned steadfastly upon the platform.

After sitting a while in contemplation of this person's familiar contour, I was irresistibly moved to step over the intervening benches, lay my hand on his shoulder, put my mouth close to his ear, and address him in a sepulchral, melo-dramatic whisper:

"Hollingsworth! where have you left Zenobia?"

His nerves, however, were proof against my attack. He turned half around, and looked me in the face with great, sad eyes, in which there was neither kindness nor resentment, nor any perceptible surprise.

"Zenobia, when I last saw her," he answered, "was at Blithedale."

He said no more. But there was a great deal of talk going on near me, among a knot of people who might be considered as representing the mysticism, or rather the mystic sensuality, of this singular age. The nature of the exhibition that was about to take place had probably given the turn to their conversation.

I heard, from a pale man in blue spectacles, some stranger stories than ever were written in a romance; told, too, with a simple, unimaginative steadfastness, which was terribly efficacious in compelling the auditor to receive them into the category of established facts. He cited instances of the miraculous power of one human being over the will and passions of another; insomuch that