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remember me.’ ‘O my lord,’ rejoined the other, ‘what is that?’ ‘Take these three hundred dinars,’ answered the Vizier. When the keeper heard speak of the dinars, he said, ‘O my lord, do what thou wilt.’ So the Vizier gave him the money, saying, ‘God willing, we will work a good work in this place.’ Then they left the garden and returned to their lodging, where they passed the night. Next day, the Vizier sent for a plasterer and a painter and a skilful goldsmith, and furnishing them with all the tools and materials that they required, carried them to the garden, where he bade them plaster the walls of the pavilion and decorate it with various kinds of paintings. Then he sent for gold and ultramarine and said to the painter, ‘Paint me on the wall, at the upper end of the saloon, a fowler, with his nets spread and birds lighted round them and a female pigeon fallen into the net and entangled therein by the bill. Let this fill one compartment of the wall, and on the other paint the fowler seizing the pigeon and setting the knife to her throat, whilst the third compartment of the picture must show a great hawk seizing the male pigeon, her mate, and digging his talons into him.’ The painter did as the Vizier bade him, and when he and the other workmen had finished, they took their hire and went away. Then the Vizier and his companions took leave of the gardener and returned to their lodging, where they sat down to converse. And Taj el Mulouk said to Aziz, ‘O my brother, recite me some verses: haply it may dilate my breast and dispel my sad thoughts and assuage the fire of my heart.’ So Aziz chanted the following verses:
All that they fable lovers feel of anguish and despite, I in myself comprise, and so my strength is crushed outright;
And if thou seekst a watering-place, see, from my streaming eyes, Rivers of tears for those who thirst run ever day and night.
Or, if thou fain wouldst look upon the ruin passion’s hands Can wreak on lovers, let thy gaze upon my body light.
