all known to Curwen, whose rasping accents were frequently distinguishable in reply, reproof, or threatening.
Sometimes it seemed that several persons must be in the house; Curwen, certain captives, and the guards of those captives. There were voices of a sort that neither Weeden nor Smith had ever heard before despite their wide knowledge of foreign ports, and many that they did seem to place as belonging to this or that nationality. The nature of the conversations seemed always a kind of catechism, as if Curwen were extorting some sort of information from terrified or rebellious prisoners.
Weeden had many verbatim reports of overheard scraps in his notebook, for English, French, and Spanish, which he knew, were frequently used; but of these nothing has survived. He did, however, say that besides a few ghoulish dialogues in which the past affairs of Providence families were concerned, most of the questions and answers he could understand were historical or scientific; occasionally pertaining to very remote places and ages. Once, for example, an alternately raging and sullen figure was questioned in French about the Black Prince's massacre at Limoges in 1370, as if there were some hidden reason which he ought to know. Curwen asked the prisoner—if prisoner it were—whether the order to slay was given because of the Sign of the Goat found on the altar in the ancient Roman crypt beneath the cathedral, or whether the Dark Man of the Haute Vienne Coven had spoke the Three Words. Failing to obtain replies, the inquisitor had seemingly resorted to extreme means; for there was a terrific shriek followed by silence and muttering and a bumping sound.
None of these colloquies was ever ocularly witnessed, since the windows were always heavily draped. Once, though, during a discourse in an unknown tongue, a shadow was seen on the curtain which startled Weeden exceedingly; reminding him of one of the puppets in a show he had seen in the autumn of 1764 in Hacher's Hall, when a man from Germantown, Pennsylvania, had given a clever mechanical spectacle advertised as a "View of the Famous City of Jerusalem, in which are represented Jerusalem, the Temple of Solomon, his Royal Throne, the noted Towers, and Hills, likewise the Sufferings of Our Saviour from the Garden of Gethsemane to the Cross on the Hill of Golgotha; an artful piece of Statuary, Worthy to be seen by the Curious." It was on this occasion that the listener, who had crept close to the window of the front room whence the speaking proceeded, gave a start which roused the old
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