was open—indeed there was no door to it. We entered an immense hall, lighted by the same kind of lustre as in the scene without, but diffusing a fragrant odour. The floor was in large tesselated blocks of precious metals, and partly covered with a sort of mat-like carpeting. A strain of low music, above and around, undulated as if from invisible instruments, seeming to belong naturally to the place, just as the sound of murmuring waters belongs to a rocky landscape, or the warble of birds to vernal groves.
A figure, in a simpler garb than that of my guide, but of similar fashion, was standing motionless near the threshold. My guide touched it twice with his staff, and it put itself into a rapid and gliding movement, skimming noiselessly over the floor. Gazing on it, I then saw that it was no living form, but a mechanical automaton. It might be two minutes after it vanished through a doorless opening, half screened by curtains at the other end of the hall, when through the same opening advanced a boy of about twelve years old, with features closely resembling those of my guide, so that they seemed to me evidently son and father. On seeing me the child uttered a cry, and lifted a staff like that borne by my guide, as if in menace. At a word from the elder he dropped it. The two then conversed for some moments, examining me while they spoke. The child touched my garments, and stroked my face with evident curiosity, uttering a sound like a laugh, but with an hilarity more subdued than the mirth of our laughter. Presently the roof of the hall opened, and a platform descended, seemingly constructed on the same principle as the 'lifts' used in hotels and warehouses for mounting from one story to another.
The stranger placed himself and the child on the platform, and motioned to me to do the same, which I did. We ascended quickly and safely, and alighted in the midst of a corridor with doorways on either side.
Through one of these doorways I was conducted into a chamber fitted up with an Oriental splendour; the walls were tesselated with spars, and metals, and uncut jewels; cushions and divans abounded; apertures as for windows, but unglazed, were made in the chamber, opening to the floor; and as I passed along I observed that these openings led into spacious balconies, and commanded views of the illumined landscape without. In cages suspended from the ceiling there were birds of strange form and bright plumage, which at our entrance set up a chorus of song, modulated into tune as is that of our piping bullfinches. A delicious fragrance, from censers of gold elaborately sculptured, filled the air. Several automata, like the one I had seen, stood dumb and motionless by the walls. The
