increase in the types of objects directly sensed. Delicacy of sense-apprehension means perceptions of objects as distinct entities which are mere subtle ideas to cruder sensibilities. The phrasing of music is a mere abstract subtlety to the unmusical; it is a direct sense-apprehension to the initiated. For example, if we could imagine some lowly type of organic being thinking and aware of our thoughts, it would wonder at the abstract subtleties in which we indulge as we think of stones and bricks and drops of water and plants. It only knows of vague undifferentiated feelings in nature. It would consider us as given over to the play of excessively abstract intellects. But then if it could think, it would anticipate; and if it anticipated, it would soon perceive for itself.
In these lectures we have been scrutinising the foundations of natural philosophy. We are stopping at the very point where a boundless ocean of enquiries opens out for our questioning.
I agree that the view of Nature which I have maintained in these lectures is not a simple one. Nature appears as a complex system whose factors are dimly discerned by us. But, as I ask you, Is not this the very truth? Should we not distrust the jaunty assurance with which every age prides itself that it at last has hit upon the ultimate concepts in which all that happens can be formulated? The aim of science is to seek the simplest explanations of complex facts. We are apt to fall into the error of thinking that the facts are simple because simplicity is the goal of our quest. The guiding motto in the life of every natural philosopher should be, Seek simplicity and distrust it.
