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POETICAL EULOGY OF THE PRESS.
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cepting your view of the old courtier, then if between him and Autolycus you raise the question of unprepossessingness, I grant you the latter comes off best. For a moist rogue may tickle the midriff, while a dry worldling may but wrinkle the spleen."

"But Polonius is not dry," said the other excitedl; "he drules. One sees the fly-blown old fop drule and look wise. His vile wisdom is made the viler by his vile rheuminess. The bowing and cringing, time-serving old sinner—is such an one to give manly precepts to youth? The discreet, decorous, old dotard-of-state; senile prudence; fatuous soullessriess! The ribanded old dog is paralytic all down one side, and that the side of nobleness. His soul is gone out. Only nature's automatonism keeps him on his legs. As with some old trees, the bark survives the pith, and will still stand stiffly up, though but to rim round punk, so the body of old Polonius has outlived his soul."

"Come, come," said the cosmopolitan with serious air, almost displeased; "though I yield to none in admiration of earnestness, yet, I think, even earnestness may have limits. To human minds, strong language is always more or less distressing. Besides, Polonius is an old man—as I remember him upon the stage—with snowy locks. Now charity requires that such a figure—think of it how you will—should at least be treated with civility. Moreover, old age is ripeness, and I once heard say, 'Better ripe than raw.' "

"But not better rotten than raw!" bringing down his hand with energy on the table.