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of the best contemporary work that is done in the field of his own labours. And by "best work" I do not mean only such books as seem likely to stand the test of time, books that are unmistakably big in theme, in purpose and in technical skill: contemporary works of this class are so few that the apprentice's lesson would be soon ended. No, I go much further than that and include all the new books which exhibit even in some single direction, an encouraging tendency, the evidence of some problem faced and solved, some interesting innovation attempted. Above all, in your reading, avoid that narrow provincial spirit that limits your range to the works of your own countrymen. The American writer cannot afford to ignore what is being done in his own field by Englishmen. And if he has the time and the gift of languages he will be the broader and better artist for keeping abreast of the best