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ART OF STRAIGHT PLAY.
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with a bat; yet these are not much more than the odds of good straight play against cross play. At Cheltenham College the first Eleven plays the second Eleven "a broomstick match."

When a player hits almost every time he raises his bat, the remark is, What an excellent eye that batsman has! But, upright play tends far more than eye to certainty in hitting. It is not easy to miss when you make the most of every inch of your bat. But when you trust to the width alone, a slight error produces a miss, and not uncommonly a catch.

The great difficulty in learning upright play consists in detecting when you are playing across. So your practice-bowler must remind you of the slightest shifting of the foot, shrinking from the wicket, or declination of your bat. Straight bowling is more easy to stand up to without nervous shrinking, and slow bowling best reveals every weak point, because a slow ball must be played: it will not play itself. Many stylish players are beaten by slow bowling; some, because never thoroughly grounded in the principles of correct play and judgment of lengths; others, because hitting by rule and not at the ball. System with scientific players is apt to supersede sight; so take care as the mind's eye opens the natural eye does not shut.

Underhand bowling is by far the best for a