makes it with all the ease and elegance of the Draw, of which I consider it one variety. Clarke says, that with a ball scarcely wide of your leg, he thinks it a good hit: I have, therefore, given a drawing of it in the last page. When done correctly, and in its proper place, it is made by an easy and elegant movement of the wrists, and looks as pretty as the Draw; but this kind of forward play, which takes an awkward ball at its rise and places it on the On-side, however useful to Sampson of Sheffield and the very few who introduce it in its proper place,—this is a hit which nascitur non fit, must come naturally, as a variety of forward play. To study it, makes a poking game, and spoils the play of hundreds. So, beware how you practise the poke.
"The best way to score from short-pitched leg-balls," writes a very good hitter, "is to make a sort of sweep with the left foot, almost balancing yourself by the toe of the said left foot, and resting chiefly on the right foot,—at the same time drawing yourself upright and retiring towards the wicket. This of course is all one movement. In this position you make the heel of your right the pivot on which you turn, and move your left (but in a greater circle), so that both preserve the same parallel as at starting, and come round together; and this I regard as the great secret of a batsman's movement in this hit. This gives you the power
